巴黎不@^存在

This film mark`s 
th--e director\%ial debut of Rob+\);_er^#t Benayoun. +An arti^`st (Richa@rd Leduc),( attendi# -@ng a party smokes$ some ,d$^ope and dev%#e/,!lo
ps the` abi_ lity to;;$ see int :o  .t%!)he\@ futur)#e and th.e pa^st. He,  ret;]$urns to his a]%(partment where he =sees the( visi *on +of?_* !.a \,,woman who had lived] there 30*^  years?(# ago. A friend tries to convince hi m it: /# is!%_ h:^is heigh$?tened[\ sensitively as an ar (tist th#@^at allows for the newfound abilit*ies, but he s!:oon$$^ has psyc% hedeli,c halluci)nation=#,s and his $ abilities increase with time. Stop-motion photography is effectively _/^us ed in his se\
 quen]%ce of /:, _visual e! x
periences =]where the pe%\ople #[+exist but not th=#e ci%,ty *in( (# *=thi[
s met$:.%ap+h.[/ysi#c_%al (sto-__ry.