最后五.^_个人

Post-nuclear-wa-r drama[s ce /ntering on a sm*a_ll# grou?p of$[ survivor=s now co^n!$stitut\ e a
/n ent i!re genre ] in scien+ce-fiction films. Al%=l of them+, in some way or $*anot*h%:#er, ca\n b @e tra#
ce#!d [ back to .^this seminal film %from 1951 in which five p=)eo
+ple !
deal( . wit h the+ p^ossibility they are t;.he only _,*human -(beings left *aliv#e on th!e planet.　　While most of the + #l .ater movie(]s exp*-( l ;/oited this possibility for B-movie thrills,  ]?Five ad[*@opts`] a qui^et, co!#ntemp][@l:/ativ]+e!  t]one whic=
h some may fin:d dull #(but which thoughtful viewer_s are more l-ik$ely to find, f]*or want%  of ,/a better wo*?;rd, ha-,u!nt+@ing\ [ . There is s!omething _]abo@!- (ut this movie which gets u;!)nd+/er the s#/##kin a _/nd  wh `ich#. lurks in the corner (;s of t !he m\ind#^( lon= g
* af_ter it's ov@:*er.