等待) 方舟

Set in? [` a#n und !,e.$rground dungeon/+ ] i;nhabited by bun^ dled, ragged hum)an beings,. af.[ter -_the nucle;((ar ,\)h_:o*`$loca[+^\%ust. The s#tor *y follows the
.-) wa\)nder (ings (\of. a hero * )^thro?(ugh
 t%he situ%:[ations of survival. $ People wai_t+.; ]
%fo`#r [-)the Ark to .arriv[\e and res(?cue t$hem whi*+le their habita ^[t* f #+^alls a: *part.　　Delving deep ]#into(` t h,e dus:.ty a@$n ) d long a)`+`bando
 nded -vaults of b-cinema in searc=\*h( of\* lost% ^gem^s alway! s leaves ,=//me# wit+.h a=: bittersw eet taste. O):n] one ha]\nd the disco very of un? /#ex^`?pec]ted gems w(her*e no one would#*` think t $ h:-@em possible is a *=rewarding ##experience. On/ /the other ha!(nd though it makes one [wonder how- ma .ny^. of these %remarkab],
;le(^\% (- low-+ ;budget oddi@, tie\s, p)/!e rso,na\:*l love affai:rs of directors never @,quite\ fam;-ous# and? now al l` but forgot-$-ten, #have almost f+]ore
,v. e?+%r slipped from memory　　n any case what we h;ave here is a .-%little post-apocaly( ptic gem^\ from Pol#*and that is really better than it has any right t*o. The dystopian near futur
*,e of O-BI, O-BA finds a gr+ou
]p of survivors of the ?#
n_?ucl-%)ear war th/at  +#rav_$*.a%%ge d@: th.= ]e Eart,h inhabiting an underw$orld$ -concrete bunker and b+$%i ]d]ing thei##r t +ime as th
?e ^y wai t f, or th
/,e)
\_ myste_ @,rious `?Ark, an air ship %[of s=ome kind th,
a,t w((il ^(l c]ome an+(d save them. The Ark p 
roves to$ be ,$a^n e: laborate hoax,\ c(\=are/full!]y design=ed; t_o gi[\ ve@+ hope %to `_th e malnourished and[?+^ 
:desperate :denizens of -=the bunk/er, ]whil( e in the mean#$time_- t
he dome that separates their miserable ex(:i=\^s]ten]=ce/ from the nuc!,l,[e[@*?ar w@+/$inter outside is slowly cavin(-,?,g_ in.　　What first stri^-=ked me about th ;e_ movie is t,+]-h e des*?#,ign of the bunker a]/nd the- depiction of the s
urvivors. The survi, /vors are  gaunt=, f^-ilthy and terrible-looking pen-`iten`t:%s,% ^;,dre%`ss=-ed] =in rags and aimle##ssly wandering the neon-l/it halls of the b?[/unker like automatons. The@+]$ bunker is a )?rundown,
_. seed/y place, wit#%h brig;)%ht + neon= lights .(peering@][ !/from /all si des[ like )the ey@es of malignan`,*t beasts.　_`　On o)
n@?^e hand [?it is a s;!++light[*\ly *80's depictio$\,n of the dys@topian future bu%t the movie ne;\ver stoops !! down to M/AD/_?? (MAX c_heese. Instead it +, com[=bines biting pol\
=:itical satir@ e with;(@ the? bleak o/utlo[:` o+/-?k of a_\\ wor/ )ld wit!!h n;o future, bla@
ck comedy$: wi[ th bar b/#]s o+$n apath/( y(]
, rel\$@igion=! and po]wer. The .s^/urvivors, for exa$.`mp!=le,:, are fed `[?some /-ki!nd ??of flo ur =.droppin;,g from a tube that !ho
[$vers in the (./air -/! la/t/er on we discover @;#the%.-* food supervi
?sor uses boo`ks and the `Bible its
e]=l^$f as )fi,%lle r fo: r [ this meagre meal. There are m=!_a-$ny s#uch short symbolic touches, perh]]aps not life@-ch%an!%ging or\$ faith-restoring, y;($e@ [ t playful, cle=[ver and inspi #red.-　　One thing i+s .;*for sur-/,/$e; O-B#]I, O-BA is not y#o:ur run
(-of-th];
#e-mi ll sci-f!i s?)chlock #. It(# over\=+comes *its modest budget w,[ith )c^?r;*eati=[vity an:$
d :
(h[`as genuine artist, ic aspir^)[at@ions bot(h from a writing -][and; directing p
ersp[$*ective. My $:*opinion is th^]at i$).t+@= should have be-en\=(( !filmed in black and wh(%ite,% instead of ] c-olour thoug!h. The director#? uses atmospheric light and \-s-?hadow to(* great effect (and it wou/-
ld have registered even bet* ter i\*-[n s!tark [bla]?ck _/^and white. Th;e# %\/,blue-`gre;`.e( n ne]
o-n). on the other hand outs]^)tays its welco_ :me after .a \whi)le:^. Just a?_( minor g;ripe ?in a`@!n oth ^erwis=e solid( b-movie wit*h its heart set in all the ] _[right places .?*　.　-Imagine a /!.le-s\)]s bleak THE ROAD[; (Cor+_mac [+McCarthy) being injecte
:d with the satire a[+
nd_ humou] _`r of DR.STRANGELOVE and you're gett/in-,\g there.^ See i%t if you+  - can fi !\nd it.