上帝^之怒

When, ;,;`at the beginnin/] @g of Deu- s Irae, Father Javier stares at a cr?uc/_:ifix, his expressions and hi s/.; han_d#s=$ s:#u]#g(.gest that the n erves are consu%min+g him.
A fla%$sh/_[back /#[r e(veals that_[ this% pri(\,est devot!es h, is ;l `ife  to vi,+s_iting fam ]ilies tha#t claim ;]to hav=e seen things that do not belon.g ]to thi#s world ][a`nd cleans@-ing thei:\r* h(^omes from the demons that *%!try to possess t[[;he::#^m/. Bu^[.t, u=?pon returning to those houses, he not?ice#s \^t(-hat th!`e eviden@)ce /=%is a.l)ways destroyed. This ]@]way,-` he disco?ver `s; that a#( clan* is afte_^r\ him, and $_*m+ust decide whether to hide from the!\ _m or j^*oin#
t$ h?em. In t_imes 
?when ho)[rror cinema!]/ tends to fal l i !nto the hands o%= f  direc^!to;%rs th-)a?t s?:)eek to bu!!*il/?d +narrative@#s that .` are introspe( ctive and clos^)$e*!+ to reali^+ty
=, =!Pedro Cristiani go(-e#?
s _back)@ to old-school horror, w.$here gore and the physical `experience are a@$=bov#e any othe/ r kind of -feeling. A cinema t hat pla.:ces th-;_e camera in @[
front of the faces of%^# the @(+bloodiest demon %s a(nd,/ instead*  of giving log=ic to t!hem,! choo*ses=[ to face them wha
=tev.$er the, cost.